Śrīmad Devī Bhāgavatam

BOOK 9 • CHAPTER 50
Ch 50 Verse 1-4 Verse
९.५० पञ्चाशत्तमोऽध्यायः । देव्या आवरणपूजाविधिवर्णनम् । नारद उवाच । श्रुतं सर्वमुपाख्यानं प्रकृतीनां यथातथम् । यच्छ्रुत्वा मुच्यते जन्तुर्जन्मसंसारबन्धनात् ॥ १ ॥ अधुना श्रोतुमिच्छामि रहस्यं वेदगोपितम् । राधायाश्चैव दुर्गाया विधानं श्रुतिचोदितम् ॥ २ ॥ महिमा वर्णितोऽतीव भवता परयोर्द्वयोः । श्रुत्वा तं तद्गतं चेतो न कस्य स्यान्मुनीश्वर ॥ ३ ॥ ययोरंशो जगत्सर्वं यन्नियम्यं चराचरम् । ययोर्भक्त्या भवेन्मुक्तिस्तद्विधानं वदाधुना ॥ ४ ॥
Though you have told me about their glories, yet I am not satisfied. Verily, where is he whose heart does not melt away on hearing the glories of both of them! This world is originated from their parts and is being controlled by them. The devotion towards them frees one easily from the bonds of Samsāra (rounds of birth and death). O Muni! Kindly describe now about them.”
Ch 50 Verse 5-6 Verse
श्रीनारायण उवाच । शृणु नारद वक्ष्यामि रहस्यं श्रुतिचोदितम् । यन्न कस्यापि चाख्यातं सारात्सारं परात्परम् ॥ ५ ॥ श्रुत्वा परस्मै नो वाच्यं यतोऽतीव रहस्यकम् । मूलप्रकृतिरूपिण्याः संविदो जगदुद्भवे ॥ ६ ॥
Nārāyaṇa said :-- O Nārada! I am now describing the characters of Rādhā and Durgā, as described in the Vedas; listen. I did not describe to anybody this Secret which is the Essence of all essences and Higher than the highest. This is to be kept very secret.
Ch 50 Verse 7-8 Verse
प्रादुर्भूतं शक्तियुग्मं प्राणबुद्ध्यधिदैवतम् । जीवानां चैव सर्वेषां नियन्तृप्रेरकं सदा ॥ ७ ॥ तदधीनं जगत्सर्वं विराडादिचराचरम् । यावत्तयोः प्रसादो न तावन्मोक्षो हि दुर्लभः ॥ ८ ॥
Hearing this, one ought not to divulge it to any other body. Rādhā presides over the Prāṇa and Durgā presides over the Buddhi. From these two, the Mūlaprakriti has originated this world.
Ch 50 Verse 9-10 Verse
ततस्तयोः प्रसादार्थं नित्यं सेवेत तद्द्वयम् । तत्रादौ राधिकामन्त्रं शृणु नारद भक्तितः ॥ ९ ॥ ब्रह्मविष्ण्वादिभिर्नित्यं सेवितो यः परात्परः । श्रीराधेति चतुर्थ्यन्तं वह्नेर्जाया ततः परम् ॥ १० ॥
These two Śaktis guide the whole world. From the Mahāvirāt to the small insect, all, moving or non-moving, are under the Mūlaprakriti. One must satisfy them. Unless these two be satisfied, Mukti cannot be obtained. Therefore one ought to serve Mūla Prakriti for Her satisfaction.
Ch 50 Verse 11-12 Verse
षडक्षरो महामन्त्रो धर्माद्यर्थप्रकाशकः । मायाबीजादिकश्चायं वाञ्छाचिन्तामणिः स्मृतः ॥ ११ ॥ वक्त्रकोटिसहस्रैस्तु जिह्वाकोटिशतैरपि । एतन्मन्त्रस्य माहात्म्यं वर्णितुं नैव शक्यते ॥ १२ ॥
Now of the two in Mūla Prakriti, I will describe fully the Rādhā Mantra. Listen. Brahmā, Viṣṇu, and others always worship this mantra. The principal mantra is “Śrī Rādhāyai Svāhā.” By this six lettered mantra Dharma and other fruits all are obtained with ease. If to this six lettered Mūla mantra Hrīm be added, it yields gems and jewels as desired. So much so, if thousand koṭi mouths and one hundred koṭi tongues are obtained, the glory of this mantra cannot be described.
Ch 50 Verse 13-14 Verse
जग्राह प्रथमं मन्त्रं श्रीकृष्णो भक्तितत्परः । उपदेशान्मूलदेव्या गोलोके रासमण्डले ॥ १३ ॥ विष्णुस्तेनोपदिष्टस्तु तेन ब्रह्मा विराट् तथा । तेन धर्मस्तेन चाहमित्येषा हि परम्परा ॥ १४ ॥
When the incorporeal voice of Mūla Prakriti was heard in the Heavens, this mantra was obtained, first by Kṛṣṇa in the Rāsa Maṇḍalam in the region of Goloka where all love sentiments are played. (The Vedas declare him as Raso vai Sah). From Kṛṣṇa, Viṣṇu got the Mantra; from Viṣṇu, Brahmā got; from Brahmā Virāt got, from Virāt, Dharma, and from Dharma I have got this Mantra. Repeating that Mantra, I am known by the name of Ṛṣi.
Ch 50 Verse 15-16 Verse
अहं जपामि तं मन्त्रं तेनाहमृषिरीडितः । ब्रह्माद्याः सकला देवा नित्यं ध्यायन्ति तां मुदा ॥ १५ ॥ कृष्णार्चायां नाधिकारो यतो राधार्चनं विना । वैष्णवैः सकलैस्तस्मात्कर्तव्यं राधिकार्चनम् ॥ १६ ॥
Brahmā and the other Devas meditate always on the Mūla Prakriti with greatest joy and ecstasy. Without the worship of Rādhā, never can the worship of Śrī Kṛṣṇa be done. So men, devoted to Viṣṇu, should first of all worship Rādhā by all means. Rādhā is the Presiding Deity of the Prāṇa of Śrī Kṛṣṇa. Hence Śrī Kṛṣṇa is so much subject to Rādhā. The Lady of the Rāsa Maṇḍalam remains always close to Him.
Ch 50 Verse 17-18 Verse
कृष्णप्राणाधिदेवी सा तदधीनो विभुर्यतः । रासेश्वरी तस्य नित्यं तया हीनो न तिष्ठति ॥ १७ ॥ राध्नोति सकलान्कामांस्तस्माद्राधेति कीर्तिता । अत्रोक्तानां मनूनां च ऋषिरस्म्यहमेव च ॥ १८ ॥
Without Her Śrī Kṛṣṇa could not live even for a moment. The name Rādhā is derived from “Rādhnoti” or fulfills all desires. Hence Mūla Prakriti is termed Rādhā. I am the Ṛṣi of all the mantras but the Durgā Mantra mentioned in this Ninth Skandha. Gāyatrī is the chanda (mantra) of those mantras and Rādhikā is the Devatā of them.
Ch 50 Verse 19 Verse
छन्दश्च देवी गायत्री देवतात्र च राधिका । तारो बीजं शक्तिबीजं शक्तिस्तु परिकीर्तिता ॥ १९ ॥
Really, Nārāyaṇa is the Ṛṣi of all the mantras; Gāyatrī is the chanda; Prāṇava (om) is the Vīja (seed) and Bhuvaneśvarī (the Directrix of the world) is the Śakti. First of all the principal mantra is to be repeated six times; then meditation of the great Devī Rādhikā, the Śakti of the Ṛṣis is to be done, as mentioned in the Sāma Veda.
Ch 50 Verse 20-25 Verse
मूलावृत्त्या षडङ्गानि कर्तव्यानीतरत्र च । अथ ध्यायेन्महादेवीं राधिकां रासनायिकाम् ॥ २० ॥ पूर्वोक्तरीत्या तु मुने सामवेदे विगीतया । श्वेतचम्पकवर्णाभां शरदिन्दुसमाननाम् ॥ २१ ॥ कोटिचन्द्रप्रतीकाशां शरदम्भोजलोचनाम् । बिम्बाधरां पृथुश्रोणीं काञ्चीयुतनितम्बिनीम् ॥ २२ ॥ कुन्दपङ्क्तिसमानाभदन्तपङ्क्तिविराजिताम् । क्षौमाम्बरपरीधानां वह्निशुद्धांशुकान्विताम् ॥ २३ ॥ ईषद्धास्यप्रसन्नास्यां करिकुम्भयुगस्तनीम् । सदा द्वादशवर्षीयां रत्नभूषणभूषिताम् ॥ २४ ॥ शृङ्गारसिन्धुलहरीं भक्तानुग्रहकातराम् । मल्लिकामालतीमालाकेशपाशविराजिताम् ॥ २५ ॥
The meditation of Rādhā is as follows :-- O Devī Radhike! Thy colour is like white Champaka flower; Thy face is like the autumnal Full Moon; Thy body shines with the splendour of ten million moons, Thy eyes look beautiful like autumnal lotus; Thy lips are red like Bimba fruits, Thy loins are very heavy and decked with the girdle (Kāñcī) ornament; Thy face is always gracious with sweet smiles; Thy breasts defy the frontal globe of an elephant. Thou art ever youthful as if twelve years old; Thy body is adorned all over with ornaments! Thou art the waves of the ocean of Śriṅgāra (love sentiments.) Thou art ever ready to show Thy grace to the devotees; on Thy braid of hair garlands of Mallikā and Mālatī are shining; Thy body is like a creeping plant, very gentle and tender; Thou art seated in the middle of Rāsa Maṇḍalam as the Chief Directrix; Thy one hand is ready to grant boons and another hand expresses “Have no fear.”
Ch 50 Verse 26-28 Verse
सुकुमाराङ्गलतिकां रासमण्डलमध्यगाम् । वराभयकरां शान्तां शश्वत्सुस्थिरयौवनाम् ॥ २६ ॥ रत्नसिंहासनासीनां गोपीमण्डलनायिकाम् । कृष्णप्राणाधिकां वेदबोधितां परमेश्वरीम् ॥ २७ ॥ एवं ध्यात्वा ततो बाह्ये शालग्रामे घटेऽथवा । यन्त्रे वाष्टदले देवीं पूजयेत्तु विधानतः ॥ २८ ॥
Thou art of a peaceful appearance; Thou art ever youthful; Thou art seated on a jewel throne; Thou art the foremost guide of the Gopīkās; Thou art dearer to Kṛṣṇa than even His life; O Parame’svarī! The Vedas reveal Thy nature. Meditating thus, one is to bathe the Devī on a Śālagrāma stone, jar, yantra or the eight petalled lotus and then worship Her duly.
Ch 50 Verse 29-30 Verse
आवाह्य देवीं तत्पश्चादासनादि प्रदीयताम् । मूलमन्त्रं समुच्चार्य चासनादीनि कल्पयेत् ॥ २९ ॥ पाद्यं तु पादयोर्दद्यान्मस्तकेऽर्घ्यं समीरितम् । मुखे त्वाचमनीयं स्यात्त्रिवारं मूलविद्यया ॥ ३० ॥
First the Devī is to be invoked; then Pādya and Āsana, etc., are to be offered, the principal Mantra being pronounced at every time an offering is given. After giving water for washing both the feet, Arghya is to be placed on the head and Ācamanīyam water to be offered three times on the face.
Ch 50 Verse 31-32 Verse
मधुपर्कं ततो दद्यादेकां गां च पयस्विनीम् । ततो नयेत्स्नानशालां तां च तत्रैव भावयेत् ॥ ३१ ॥ अभ्यङ्गादिस्नानविधिं कल्पयित्वाथ वाससी । ततश्च चन्दनं दद्यान्नानालङ्कारपूर्वकम् ॥ ३२ ॥
Madhuparka (an oblation of honey, milk etc.) and a cow giving a good quantity of milk are next to be offered. Then the yantra is to be thought of as the bathing place where the Devī is to be bathed. Then Her body is to be wiped and a fresh cloth given for putting on. Sandalpaste and various other ornaments are next to be given.
Ch 50 Verse 33-34 Verse
पुष्पमाला बहुविधास्तुलसीमञ्जरीयुताः । पारिजातप्रसूनानि शतपत्रादिकानि च ॥ ३३ ॥ ततः कुर्यात्पवित्रं तत्परिवारार्चनं विभोः । अग्नीशासुरवायव्यमध्ये दिक्ष्वङ्गपूजनम् ॥ ३४ ॥
Various garlands of flowers with Tulasī Mañjari (flower stalks) Pārijāta flower and Satapatra etc., then, are to be offered. Then within the eight petals, the family members of the Devī are to be thought of; worship is next to be offered in the right hand direction (with the hands of the watch).
Ch 50 Verse 35-37 Verse
कृत्वा पश्चादष्टदले दक्षिणावर्ततोऽग्रतः । मालावतीमग्रदले वह्निकोणे च माधवीम् ॥ ३५ ॥ रत्नमालां दक्षिणे च नैरृत्ये तु सुशीलकाम् । पश्चाद्दले शशिकलां पूजयेन्मतिमान्नरः ॥ ३६ ॥ मारुते पारिजातां चाप्युत्तरे च परावतीम् । ईशानकोणे सम्पूज्या सुन्दरी प्रियकारिणी ॥ ३७ ॥
First of all, Mālāvatī on the petal in front of (on the east) the Devī, then Mādhavī on the southeast corner, then Ratnamālā on the south, Suśīlā on the south-west, Saśikalā on the west, Pārijāta on the north-west, Parāvatī on the north and the benefactious Sundarī on the north-east corner are to be worshipped in order.
Ch 50 Verse 38-39 Verse
ब्राह्म्यादयस्तु तद्बाह्येऽप्याशापालांस्तु भूपुरे । वज्रादिकान्यायुधानि देवीमित्थं प्रपूजयेत् ॥ ३८ ॥ ततो देवीं सावरणां गन्धाद्यैरुपचारकैः । राजोपचारसहितैः पूजयेन्मतिमान्नरः ॥ ३९ ॥
Outside this, Brāhmī and the other Mātrikās are to be worshipped and on the Bhūpūras (the entrances of the yantra,) the Regents of the quarters, the Dikpālas and the weapons of the Devī, thunderbolt, etc., are to be worshipped . Then all the attendant Deities of the Devī are to be worshipped with scents and various other articles.
Ch 50 Verse 40-41 Verse
ततः स्तुवीत देवेशीं स्तोत्रैर्नामसहस्रकैः । सहस्रसङ्ख्यं च जपं नित्यं कुर्यात्प्रयत्नतः ॥ ४० ॥ य एवं पूजयेद्देवीं राधां रासेश्वरीं पराम् । स भवेद्विष्णुतुल्यस्तु गोलोकं याति सन्ततम् ॥ ४१ ॥
Thus finishing the worship, one should chant the Ṣtotra (hymns) named Sahasra-nāma (thousand names) Ṣtotra with care and devotion. O Nārada! The intelligent man who worships thus the Rāseśvarī Devī Rādhā, becomes like Viṣṇu and goes to the Goloka.
Ch 50 Verse 42-43 Verse
यः कार्तिक्यां पौर्णमास्यां राधाजन्मोत्सव बुधः । कुरुते तस्य सान्निध्यं दद्याद्रासेश्वरी परा ॥ ४२ ॥ केनचित्कारणेनैव राधा वृन्दावने वने । वृषभानुसुता जाता गोलोकस्थायिनी सदा ॥ ४३ ॥
He who performs the birthday anniversary of Śrī Rādhā on the Full-Moon day of the month of Kārtik, gets the blessings of Śrī Rādhā who remains near to him. For some reason Rādhā, the dweller in Goloka was born in Brindāban as the daughter of Vṛṣavānu.
Ch 50 Verse 44 Verse
अत्रोक्तानां तु मन्त्राणां वर्णसङ्ख्याविधानतः । पुरश्चरणकर्मोक्तं दशांशं होममाचरेत् ॥ ४४ ॥
However, according to the number of letters of the mantras that are mentioned in this chapter, Puraṣcaraṇa is to be made and Homa, one-tenth of Puraṣcaraṇa, is to be then performed. The Homa is to be done with ghee, honey, and milk; the three sweet things mixed with Til and with devotion.
Ch 50 Verse 45 Verse
तिलैस्त्रिस्वादुसंयुक्तैर्जुहुयाद्भक्तिभावतः । नारद उवाच । स्तोत्रं वद मुने सम्यग्येन देवी प्रसीदति ॥ ४५ ॥
Nārada said :-- “O Bhagavān; Now describe the Ṣtotra (hymn) Mantra by which the Devī is pleased.”
Ch 50 Verse 46-47 Verse
श्रीनारायण उवाच । नमस्ते परमेशानि रासमण्डलवासिनि । रासेश्वरि नमस्तेऽस्तु कृष्णप्राणाधिकप्रिये ॥ ४६ ॥ नमस्त्रैलोक्यजननि प्रसीद करुणार्णवे । ब्रह्मविष्ण्वादिभिर्देवैर्वन्द्यमानपदाम्बुजे ॥ ४७ ॥
Nārāyaṇa said :-- O Nārada! Now I am saying the Rādhā Ṣtotra. Listen. O Thou, the Highest Deity, the Dweller in Rāsa Maṇḍalam! I bow down to Thee; O Thou, the Chief Directrix of the Rāsa Maṇḍalam; O Thou dearer to Kṛṣṇa than His life even, I bow down to Thee. O Thou, the Mother of the three Lokas! O Thou the Ocean of mercy! Be pleased. Brahmā, Viṣṇu and the other Devas bow down before Thy lotus feet.
Ch 50 Verse 48-49 Verse
नमः सरस्वतीरूपे नमः सावित्रि शङ्करि । गङ्गापद्मावतीरूपे षष्ठि मङ्गलचण्डिके ॥ ४८ ॥ नमस्ते तुलसीरूपे नमो लक्ष्मीस्वरूपिणि । नमो दुर्गे भगवति नमस्ते सर्वरूपिणि ॥ ४९ ॥
Thou art Sarasvatī; Thou art Savitrī; Thou art Śaṅkarī; I bow down to Thee; Thou art Gaṅgā; Thou art Padmāvatī; Thou art Ṣaṣṭhī; Thou art Mangalā Caṇḍikā; Thou art Manasā; Thou art Tulasī; Thou art Durgā; Thou art Bhagavatī; Thou art Lakṣmī; Thou art all, I bow down to Thee.
Ch 50 Verse 50-51 Verse
मूलप्रकृतिरूपां त्वां भजामः करुणार्णवाम् । संसारसागरादस्मानुद्धराम्ब दयां कुरु ॥ ५० ॥ इदं स्तोत्रं त्रिसन्ध्यं यः पठेद्राधां स्मरन्नरः । न तस्य दुर्लभं किञ्चित्कदाचिच्च भविष्यति ॥ ५१ ॥
Thou art the Mūla Prakriti; Thou art the Ocean of mercy. Obeisance to Thee! Be merciful to us and save us from this ocean of Samsāra (round of birth and death). O Nārada! Anybody who remembers Rādhā and reads this Ṣtotra three times a day does not feel the want of anything in this world.
Ch 50 Verse 52-53 Verse
देहान्ते च वसेन्नित्यं गोलोके रासमण्डले । इदं रहस्यं परमं न चाख्येयं तु कस्यचित् ॥ ५२ ॥ अधुना शृणु विप्रेन्द्र दुर्गादेव्या विधानकम् । यस्याः स्मरणमात्रेण पलायन्ते महापदः ॥ ५३ ॥
He will ultimately go to Goloka and remain in the Rāsa Maṇḍalam. O Child This great secret ought never to be given out to any. Now I am telling you the method of worship of the Durgā Devī.
Ch 50 Verse 54-55 Verse
एनां न भजते यो हि तादृङ्नास्त्येव कुत्रचित् । सर्वोपास्या सर्वमाता शैवी शक्तिर्महाद्भुता ॥ ५४ ॥ सर्वबुद्ध्याधिदेवीयमन्तर्यामिस्वरूपिणी । दुर्गसङ्कटहन्त्रीति दुर्गेति प्रथिता भुवि ॥ ५५ ॥
It is not seen that anybody does not remember Durgā. She is the object of worship of all. She is the Mother of all and the Wonderful Śakti of Mahādeva. She is the Presiding Deity of the intellect (Buddhi) of all and She controls the hearts of all and She removes the great difficulties and dangers of all.
Ch 50 Verse 56-57 Verse
वैष्णवानां च शैवानामुपास्येयं च नित्यशः । मूलप्रकृतिरूपा सा सृष्टिस्थित्यन्तकारिणी ॥ ५६ ॥ तस्या नवाक्षरं मन्त्रं वक्ष्ये मन्त्रोत्तमोत्तमम् । वाग्भवं शम्भुवनिता कामबीजं ततः परम् ॥ ५७ ॥
Therefore She is named Durgā in the world. She is worshipped by all, whether a Śaiva or a Vaiṣṇava. She is the Mūla Prakriti and from Her the creation, preservation and destruction of the universe proceed. O Nārada! Now I am saying the principal nine lettered Durgā Mantra, the best of all the Mantras.
Ch 50 Verse 58-60 Verse
चामुण्डायै पदं पश्चाद्विच्चे इत्यक्षरद्वयम् । नवाक्षरो मनुः प्रोक्तो भजतां कल्पपादपः ॥ ५८ ॥ ब्रह्मविष्णुमहेशाना ऋषयोऽस्य प्रकीर्तिताः । छन्दांस्युक्तानि सततं गायत्र्युष्णिगनुष्टुभः ॥ ५९ ॥ महाकाली महालक्ष्मीः सरस्वत्यपि देवताः । स्याद्रक्तदन्तिकाबीजं दुर्गा च भ्रामरी तथा ॥ ६० ॥
“Aim Hrīm Klīm Cāmuṇḍāyai Vicce” is the nine lettered Vīja mantra of Śrī Durgā; it is like a Kalpa Vrikṣa yielding all desires. One should worship this mantra by all means. Brahmā, Viṣṇu, and Maheśa are the Ṛṣis of this mantra; Gāyatrī, Uṣṇik and Anuṣṭhubha are the chandas; Mahākālī, Mahā Lakṣmī and Sarasvatī are the Devatās; Rakta Dantikā, Durgā, and Bhrāmarī are the Vījas.
Ch 50 Verse 61-62 Verse
नन्दाशाकम्भरीदेव्यौ भीमा च शक्तयः स्मृताः । धर्मार्थकाममोक्षेषु विनियोग उदाहृतः ॥ ६१ ॥ ऋषिच्छन्दो दैवतानि मौलौ वक्त्रे हृदि न्यसेत् । स्तनयोः शक्तिबीजानि न्यसेत्सर्वार्थसिद्धये ॥ ६२ ॥
Nandā, Sākambharī, and Bhīmā are the Śaktis and Dharma (Virtue), Artha (wealth) and Kāma (desires), are the places of application (Viniyoga). Assign the head to the Ṛṣi of the mantra (Nyāsa); assign the chandas to the mouth and assign the Devatā to the heart.
Ch 50 Verse 63-64 Verse
बीजत्रयैश्चतुर्भिश्च द्वाभ्यां सर्वेण चैव हि । षडङ्गानि मनोः कुर्याज्जातियुक्तानि देशिकः ॥ ६३ ॥ शिखायां लोचनद्वन्द्वे श्रुतिनासाननेषु च । गुदे न्यसेन्मन्त्रवर्णान्सर्वेण व्यापकं चरेत् ॥ ६४ ॥
Then assign the Śakti to the right breast for the success and assign the Vīja to the left breast. Then perform the Ṣaḍamga Nyāsa as follows :-- Aim Hridayāya namah, Hrīm Śirase Svāhā, Klīm Śikhāyām Vaṣaṭ, Cāmuṇḍāyai Kavacāya Hum, Vicce Netrābhyām Vauṣaṭ, “Aim Hrīm Klīm Cāmuṇḍāyai Vicce” Karatalapṛṣihābhyām Phaṭ. Next say touching the corresponding parts of the body :-- “Aim namah Śikhāyām, Hrīm Namah” on the right eye; “Klīm Namah” on the left eye, “Chām Namah” on the right ear, “Mum namah” on the left ear, ṇḍam Namah” on the nostrils; “Vim Namah” on the face; “Ccem Namah” on the anus and finally “Aim Hrīm Klīm Cāmuṇḍāyai Vicce” on the whole body. Then do the meditation (dhyān) thus :--
Ch 50 Verse 65-66 Verse
खड्गचक्रगदाबाणचापानि परिघं तथा । शूलं भुशुण्डीं च शिरः शङ्खं सन्दधतीं करैः ॥ ६५ ॥ महाकालीं त्रिनयनां नानाभूषणभूषिताम् । नीलाञ्जनसमप्रख्यां दशपादाननां भजे ॥ ६६ ॥
“O Cāmuṇḍe! Thou art holding in Thy ten hands ten weapons, viz., Khaḍga (axe), Cakra (disc), Gadā (club), Vāṇa (arrows), Cāpa (bow), Parigha, Sūla (spear), Bhūśuṇḍī Kapāla, and Khaḍga. Thou art Mahā Kālī; Thou art three-eyed; Thou art decked with various ornaments. Thou shinest like Lilāñjan (a kind of black pigment). Thou hast ten faces and ten feet.
Ch 50 Verse 67-69 Verse
मधुकैटभनाशार्थं यां तुष्टावाम्बुजासनः । एवं ध्यायेन्महाकालीं कामबीजस्वरूपिणीम् ॥ ६७ ॥ अक्षमालां च परशुं गदेषुकुलिशानि च । पद्मं धनुष्कुण्डिकां च दण्डं शक्तिमसिं तथा ॥ ६८ ॥ चर्माम्बुजं तथा घण्टां सुरापात्रं च शूलकम् । पाशं सुदर्शनं चैव दधतीमरुणप्रभाम् ॥ ६९ ॥
The Lotus born Brahmā chanted hymns to Thee for the destruction of Madhu Kaitabha; I bow down to Thee.” Thus one should meditate on Mahā Kālī, of the nature of Kāmavīja (the source whence will comes). Then the Dhyānam of Mahā Laksmī runs as follows :-- O Mahā Lakṣmī, the destroyer of Mahiṣāsura! Thou holdest the garland of Akṣa (a kind of seed), Paraśu (a kind of axe), Gadā (club), Iṣu (arrows), Kuliśa (the thunderbolt) Padmā (Lotus), Dhanu (bow), Kuṇdikā (a student’s waterpot), Kamaṇdalu, Daṇḍa (rod for punishment), Śakti (a kind of weapon), Asi (sword), Carma (shield) Padmā (a kind of waterlily), Ghaṇṭā (bell,) Śurāpātra (a pot to hold liquor), Śūla (pickaxe), Pāśa (noose) and Sudarṣana (a kind of weapon). Thy colour is of the Rising Sun.
Ch 50 Verse 70 Verse
रक्ताम्बुजासनगतां मायाबीजस्वरूपिणीम् । महालक्ष्मीं भजेदेवं महिषासुरमर्दिनीम् ॥ ७० ॥
Thou art seated on the red Lotus. Thou art of the nature Māyāvīja (the source whence female energy comes). So Obeisance to Thee! (The Vīja and the Devī are one and identical). Next comes the Dhyānam of Mahā Sarasvatī as follows :--
Ch 50 Verse 71-72 Verse
घण्टाशूले हलं शङ्खं मुसलं च सुदर्शनम् । धनुर्बाणान् हस्तपद्मैर्दधानां कुन्दसन्निभाम् ॥ ७१ ॥ शुम्भादिदैत्यसंहर्त्रीं वाणीबीजस्वरूपिणीम् । महासरस्वतीं ध्यायेत्सच्चिदानन्दविग्रहाम् ॥ ७२ ॥
:-- O Mahā Sarasvatī! Thou holdest bell, pickaxe, plough (Hala), Conch shell, Muṣala (a kind of club), Sudarśana, bow and arrows. Thy colour is like Kuṇḍa flower; Thou art the destroyer of Śumbha and the other Daityas; Thou art of the nature of Vāṇīvīja (the source whence knowledge, speech comes).
Ch 50 Verse 73 Verse
यन्त्रमस्याः शृणु प्राज्ञ त्र्यस्रं षट्कोणसंयुतम् । ततोऽष्टदलपद्मं च चतुर्विंशतिपत्रकम् ॥ ७३ ॥
Thy body is filled with everlasting existence, intelligence and bliss. Obeisance to Thee! O Nārada! Now I am going to say on the Yantra of Mahā Sarasvatī. Listen.
Ch 50 Verse 74-75 Verse
भूगृहेण समायुक्तं यन्त्रमेवं विचिन्तयेत् । शालग्रामे घटे वापि यन्त्रे वा प्रतिमासु वा ॥ ७४ ॥ बाणलिङ्गेऽथवा सूर्ये यजेद्देवीमनन्यधीः । जयादिशक्तिसंयुक्ते पीठे देवीं प्रपूजयेत् ॥ ७५ ॥
First draw a triangle. Draw inside the triangle eight petalled lotus having twenty-four leaves. Within this draw the house. Then on the Yantra thus drawn, or in the Śālagrāma stone, or in the jar, or in image, or in the Vāṇaliṅgam, or on the Sun, one should worship the Devī with oneness of heart.
Ch 50 Verse 76-77 Verse
पूर्वकोणे सरस्वत्या सहितं पद्मजं यजेत् । श्रिया सह हरिं तत्र नैरृते कोणके यजेत् ॥ ७६ ॥ पार्वत्या सहितं शम्भुं वायुकोणे समर्चयेत् । देव्या उत्तरतः पूज्यः सिंहो वामे महासुरम् ॥ ७७ ॥
Then worship the Pīṭha, the deities seated also on the dais, i.e., Jayā, Vījayā, Ajitā, Aghorā, Mangalā and other Pīṭha Śaktis. Then worship the attendant deities called Āvaraṇa Pūjā :-- Brahmā with Sarasvatī on the east, Nārāyaṇa with Lakṣmī on the Nairirit corner, Śaṅkara with Pārvatī on the Vāyu corner, the Lion on the north of the Devī, and Mahāsura on the left side of the Devī; finally worship Mahiṣa (buffalo).
Ch 50 Verse 78-82 Verse
महिषं पूजयेदन्ते षट्कोणेषु यजेत्क्रमात् । नन्दजां रक्तदन्तां च तथा शाकम्भरीं शिवाम् ॥ ७८ ॥ दुर्गां भीमां भ्रामरीं च ततो वसुदलेषु च । ब्राह्मीं माहेश्वरीं चैव कौमारीं वैष्णवीं तथा ॥ ७९ ॥ वाराहीं नारसिंहीं च ऐन्द्रीं चामुण्डकां तथा । पूजयेच्च ततः पश्चात्तत्त्वपत्रेषु पूर्वतः ॥ ८० ॥ विष्णुमायां चेतनां च बुद्धिं निद्रां क्षुधां तथा । छायां शक्तिं परां तृष्णां शान्तिं जातिं च लज्जया ॥ ८१ ॥ क्षान्तिं श्रद्धां कीर्तिलक्ष्म्यौ धृतिं वृत्तिं श्रुतिं स्मृतिम् । दयां तुष्टिं ततः पुष्टिं मातृभ्रान्ती इति क्रमात् ॥ ८२ ॥
Next worship Nandajā, Raktadantā, Śakambharī, Śivā, Durgā, Bhīmā, and Bhrāmarī. Then on the eight petals worship Brahmā, Maheśvarī, Kaumārī, Vaiṣṇavī, Vārāhī, Nāra Simhī, Aindrī, and Cāmuṇḍā. Next commencing from the leaf in front of the Devī, worship on the twenty four leaves Viṣṇu Māyā, Cetanā, Buddhi, Nidrā (sleep), hunger, shadow, Śakti, thirst, peace, species (Jāti), modesty, faith, fame, Lakṣmī (wealth), fortitude, Vriti, Śruti, memory, mercy, Tuṣṭi, Puṣṭi (nourishment), Bhrānti (error) and other Mātrikās.
Ch 50 Verse 83-85 Verse
ततो भूपुरकोणेषु गणेशं क्षेत्रपालकम् । वटुकं योगिनीश्चापि पूजयेन्मतिमान्नरः ॥ ८३ ॥ इन्द्राद्यानपि तद्बाह्ये वज्राद्यायुधसंयुतान् । पूजयेदनया रीत्या देवीं सावरणां ततः ॥ ८४ ॥ राजोपचारान्विविधान्दद्यादम्बाप्रतुष्टये । ततो जपेन्नवार्णं च मन्त्रं मन्त्रार्थपूर्वकम् ॥ ८५ ॥
Next on the corners of the Bhūpura (gates of the Yantra), Ganeśa Kṣettrapālas, Vaṭuka and Yoginīs are to be worshipped. Then on the outside of that Indra and the other Devas furnished with weapons are to be worshipped as per the aforesaid rules. For the satisfaction of the World-Mother various nice offerings and articles like those given by the royal personages are to be presented to the Mother; then the mantra is to be repeated, understanding its exoteric and esoteric meanings.
Ch 50 Verse 86-87 Verse
ततः सप्तशतीस्तोत्रं देव्या अग्रे तु सम्पठेत् । नानेन सदृशं स्तोत्रं विद्यते भुवनत्रये ॥ ८६ ॥ ततश्चानेन देवेशीं तोषयेत् प्रत्यहं नरः । धर्मार्थकाममोक्षाणामालयं जायते नरः ॥ ८७ ॥
Then Saptaśati stitra (Caṇḍī pāṭha) is to be repeated before the Devī. There is no other stotra like this in the three worlds. Thus Durgā, the Deity of the Devas, is to be appeased every day. He who does this gets within his easy reach Dharma, Artha, Kāma, and Mokṣa, the four main objects of human pursuits (virtue, wealth, enjoyment and final beatitude).
Ch 50 Verse 88-89 Verse
इति ते कथितं विप्र श्रीदुर्गाया विधानकम् । कृतार्थता येन भवेत्तदेतत्कथितं तव ॥ ८८ ॥ सर्वे देवा हरिब्रह्मप्रमुखा मनवस्तथा । मुनयो ज्ञाननिष्ठाश्च योगिनश्चाश्रमास्तथा ॥ ८९ ॥
O Nārada! Thus I have described to you the method of worship of the Devī Durgā. People get by this what they want. Hari, Brahmā, and all the Devas, Manus, Munis, the Yogīs full of knowledge, the Āśramīs, and Lakṣmī and the other Devas all meditate on Śivānī.
Ch 50 Verse 90-91 Verse
लक्ष्म्यादयस्तथा देव्यः सर्वे ध्यायन्ति तां शिवाम् । तदैव जन्मसाफल्यं दुर्गास्मरणमस्ति चेत् ॥ ९० ॥ चतुर्दशापि मनवो ध्यात्वा चरणपङ्कजम् । मनुत्वं प्राप्तवन्तश्च देवाः स्वं स्वं पदं तथा ॥ ९१ ॥
One’s birth is attained with success at the remembrance of Durgā. The fourteen Manus have got their Manuship and the Devas their own rights by meditating on the lotus feet of Durgā.
Ch 50 Verse 92-93 Verse
तदेतत्सर्वमाख्यातं रहस्यातिरहस्यकम् । प्रकृतीनां पञ्चकस्य तदंशानां च वर्णनम् ॥ ९२ ॥ श्रुत्वैतन्मनुजो नित्यं पुरुषार्थचतुष्टयम् । लभते नात्र सन्देहः सत्यं सत्यं मयोदितम् ॥ ९३ ॥
O Nārada! Thus I have described to you the very hidden histories of the Five Prakritis and their parts. Then, verily, the four objects of human pursuits Dharma, Artha, Kāma and Mokṣa are obtained by hearing this.
Ch 50 Verse 94-95 Verse
अपुत्रो लभते पुत्रं विद्यार्थी प्राप्नुयाच्च ताम् । यं यं कामं स्मरेद्वापि तं तं श्रुत्वा समाप्नुयात् ॥ ९४ ॥ नवरात्रे पठेदेतद्देव्यग्रे तु समाहितः । परितुष्टा जगद्धात्री भवत्येव हि निश्चितम् ॥ ९५ ॥
He who has no sons gets sons, who has no learning gets learning and whoever wants anything gets that if he hears this. The Devī Jagaddhātrī becomes certainly pleased with him who reads with his mind concentrated on this for nine nights before the Devī.
Ch 50 Verse 96-97 Verse
नित्यमेकैकमध्यायं पठेद्यः प्रत्यहं नरः । तस्य वश्या भवेद्देवी देवीप्रियकरो हि सः ॥ ९६ ॥ शकुनांश्च परीक्षेत नित्यमस्मिन्यथाविधि । कुमारीदिव्यहस्तेन यद्वा बटुकराम्बुजात् ॥ ९७ ॥
The Devī becomes obedient to him who daily reads one chapter of this Ninth Skandha and the reader also does what is acceptable to the Devī. To ascertain before-hand what effects, merits or demerits, would accrue from reading this Bhāgavata, it is necessary by examining through the hands of a virgin girl or a Brāhmin child, the auspicious or inauspicious signs.
Ch 50 Verse 98-99 Verse
मनोरथं तु सङ्कल्प्य पुस्तकं पूजयेत्ततः । देवीं च जगदीशानीं प्रणमेच्च पुनः पुनः ॥ ९८ ॥ सुस्नातां कन्यकां तत्रानीयाभ्यर्च्य यथाविधि । शलाकां रोपयेन्मध्ये तथा स्वर्णेन निर्मिताम् ॥ ९९ ॥
First make a Saṅkalpa (resolve) and worship the book. Then bow down again and again to the Devī Durgā. Then bring there a virgin girl, bathed well and worship her duly and have a golden pencil fixed duly in her hand and placed in the middle on the body.
Ch 50 Verse 100-101 Verse
शुभं वाप्यशुभं तत्र यदायाति च तद्भवेत् । उदासीनेऽप्युदासीनं कार्यं भवति निश्चितम् ॥ १०० ॥
इति श्रीमद्देवीभागवते महापुराणेऽष्टादशसाहस्र्यां संहितायां नवमस्कन्धे देव्या आवरणपूजाविधिवर्णनं नाम पञ्चाशत्तमोऽध्यायः ॥ ९.५०॥
Then calculate the auspicious or inauspicious effects, as the case may be, from the curves made by that pencil. So the effects of reading this Bhāgavata would be. If the virgin girl be indifferent in fixing the pencil within the area drawn, know the result of reading the Bhāgavata would be similar. There is no doubt in this. Here ends the Fiftieth Chapter of the Ninth Book on the Glory of Śakti in the Mahāpurāṇam Śrīmad Devī Bhāgavatam of 18,000 verses by Maharṣi Veda Vyāsa.
Ch 50 Verse 101-103 Verse
बाणाधिस्वरामैनु साई. (362511) स्नोकों: सुवितरैं. देवीभागवतस्याय नवमः स्कन्ध इरीतः ॥102॥ समाजातेयं नवमः स्कन्धः ॥103॥
Then calculate the auspicious or inauspicious effects, as the case may be, from the curves made by that pencil. So the effects of reading this Bhāgavata would be. If the virgin girl be indifferent in fixing the pencil within the area drawn, know the result of reading the Bhāgavata would be similar. There is no doubt in this. Here ends the Fiftieth Chapter of the Ninth Book on the Glory of Śakti in the Mahāpurāṇam Śrīmad Devī Bhāgavatam of 18,000 verses by Maharṣi Veda Vyāsa. Here ends the Ninth Book. The Ninth Book Completed.
Verse Verse
Notes on Śakti and the Śāktas Extracts from the Calcutta Review. No. XLVII, March 1855. The Śāktas—Their characteristics and Practical influence in society. In the Mārkāndeya Purānam, Nature (Prakṛti) is said ‘to have assumed three transcendent forms, according to her three Guṇas or qualities, and in each of them to have produced a pair of divinities, Brahmā and Sarasvatī, Maheśa and Kālī, Viṣṇu and Lakṣmī, after whose intermarriage, Brahmā and Sarasvatī formed the mundane egg, which Maheśa and Kālī divided into halves; and Viṣṇu, together with Lakṣmī, preserved from destruction. The Tantras, which are full of mysteries and mystical symbols, while they admit the three forms of the female principal to be severally the representatives of the three primary Gūṇas, derive their origin from the conjunction of Bindu, or the sound called Anusvāra, and marked (*) with the Bīja or roots of mantras or incantations. Every specific mantra, or a mantra, peculiar or exclusively belonging to any divinity, consists of Bija or root, and the Anusvāra, which together from what is called a Nāda; and it is from the Nāda, or the combination of the two symbols, that the Three forms of Śakti are said to have had their origin. But this symbolical representation, the Tantras, which exalt Śiva and his bride, above all other divinities, mean, that Bindu and Bīja severally represent Śiva and Śakti. the parents of all other gods and goddesses. Thus: 'The Bindu, which is the soul of Śiva, and the Bīja which is the soul of Śakti, together form the Nāda, from which the three Śaktis are born (Kriyā Sāra Tantra). Here is another attempt of the worshippers of Śiva and his Śakti to identify their guardian divinities with the Supreme Brahma. In the Gorakṣa Sarihītā, we read as follows, 'Will, action, and intelligence are in order the sources of Gaurī, the wife of Śiva, Brāhmī, the wife of Brahmā and Vaiṣṇavī, the wife of Viṣṇu. The theory dismisses altogether the notion of the three Guñas, and substitutes will, action, and intelligence in their place. Again the Šāstras, it appears, have increased the number of the female divinities, according as they have increased the number of the male deities or their incarnations. The Kūrma Purāṇam gives five forms of the original Šakti: 'And she (Mūlā Prakṛti) became in the act of creation fivefold by the will of the supreme.' And the forms which, according to this authority the original Prakṛti is said to have assumed, are: Ist, Durgā, the birde, Šakti, or Māyā of Śiva; 2nd, Lakṣmī, the bride, Šakti, or Māyā of Viṣṇu; 3rd Sarasvatī, the same of Brahmā, or in the Brahma Vaivarta Purānam of Hari, whilst the fourth, Śāvitrī is the bride of Brahmā. The fifth division, Rādhā, is unquestionably, as Dr. Wilson very justly remarks, ‘a modern intruder into the Hindu pantheon.’ In every successive creation of the universe, the Mūlā Prakṛti is said ‘to assume the different gradations of ‘Arñśa-rūpīnī, Kalā-rūpīnī, and Kalāmsa-rūpīnī, or manifests herself in portions, parts and portions of parts and further subdivisions. Thus the writes of the Purāṇas state: ‘In every creation of the world, the Devi, through Divine Yoga assumes divine forms and becomes Amsa-rūpā, Kalā-rūpā, and Kalārūnsa-rūpa, or Arñśārīsa-rūpā. The Arūsas form the class in which all the more important manifestations of the Śakti are comprehended, the Kalās include all the secondary Goddesses, and the Kalārūnsas and Arñśārūsas are subdivisions of the latter, and embrace all womankind, who are distinguished as good, middling or bad, according as they derive their being from the parts of their great original, in which the Sattva, Rajo and Tamo Guṇa predominates. At the same time, being regarded as manifestations of the one Supreme Spirit, they are all entitled not only to respect but to veneration. ‘Whoever,’ says the Brahma Vaivarta Purānam, offends or insults a female' incurs the wrath of Prakṛti, whilst he who propitiates a female, particularly the youthful daughter of a Brāhmin, with clothes, ornaments and perfumes, offers worship to Prakṛti Herscll.' We shall next determine the questions,—What is Śākta, and what is the complexion of his faith? By Śāktas are understood the worshippers of Śakti. This is true only when we take the term Śakti in its restricted sense. This term, which had originally but one primary signification, has in the course of time come to be used in two different senses, a general and a limited one. When taken in its widest sense, it means the allegorical representation of the active energy of God and is synonymous with Mūlā Prakṛti, the primitive source of Gods and men. In its limited sense, it is confined to Śiva Śakti, the Tāmasī, the offspring of darkness, and the last of the first three forms of the original Prakṛti. It is Śakti in this latter sense, the.bride of Śiva, whom, in her manifold forms, the Śaktas worship. The followers of the Śiva Śakti then are alone called Śāktas. Every Hindu may pay his adoration to all the thirty-three Kotis of Gods and Goddesses composing the Hindu pantheon, but one and one only of the five divinities, Viṣṇu. Śiva, Sūrya, Ganapati and Śakti must be his Iṣṭa Devatā or tutelar divinity. Here is the marked distinction between general worshippers and special followers. To render this distinction more clear, we observe, that three are certain general formulas and prayers forming the ritual of worship of every praticalur divinity. These may be learnt by any Hindu from the Śāstras, or from the mouth of a Brāhmaṇa and used in the adoration of any God or Goddess, according to choice or necessity. But besides these general mantras, which may be made use of by any Hindu, without any distinction of sect, there are the Bīja or specific formulas, which are received only from the hallowed lips of the Guru or spiritual guide. These are kept in great secrecy and repeated manntally every day, as a matter of highest religious duty. The God or Goddess, whose Bija or Mūla mantra is received in the prescribed manner, by any devotee, becomes his guardian divinity; and the person, thus initiated, becomes the special follower of that divinity. The Śaktas, then, are the special followers of the Śakti of Śiva. They may in general worship any other God or Goddess, but the bride of Śiva, in one or other of her horrid manifestations, must be their guardian deity. The following passage, quoted from the works of Mr. Colebrooke, will much elucidate the subject. That the Hindus belong to various sects, is universally known. Five great sects, exclusively worship a single deity. One recognises the five divinities, which are adored by the other sects respectively; but the followers of this most comprehensive scheme mostly select one object of daily devotion and pay adoration to other deities on particular occasions only. The Hindu theologists have entered into vain disputes on the question, which, among the attributes of God, shall be deemed characteristic and pre-eminent Śankarācārya, the celebrated commentator on the Vedas, contended for the attributes of Śiva; and founded or confirmed the sect of Śaivas, who worship Mahādeva as the supreme being, and deny the independent existence of Viṣṇu and other Deities. Mādhava Ācārya and Vallabha Ācārya have, in like manner, established the sect of Vaiṣṇavas who adore Viṣṇu as God. The Sauras (less numerous then the two sects above mentione) worship the Sun, and acknowledge no other divinity. The Gānapatyās adore Gānēśa, as uniting in his person all the attributes of the Deity. Before I notice the fifth sect, I must remind the reader, that the Hindu Mythology has personified the abstract and active powers of the divinity; and has ascribed sexes to these mythological personages. The Śakti, or energy of an attribute of God, is female and is fabled as the consort of that personified attribute, * * * The exclusive adorers of the Śakti of Śiva, are the Sāktas. (Asiatic Researches, Vol. VII, pp. 279). The Śāktas, who adopt the female principle in the last of her three principle modifications, as their special divinity,—instead of deriving her origin from the supreme Brahma, use to her the language which is invariably applied to the preferential object of worship in every sect, and contemplate her as the only source of life and existence. She is declared to he equally in all things, and that all things are in her, and that besides her there is nothing. In short, she is identified with the Supreme Being. Thus it is written in the Kāśī Khanda: ‘Thou art predicated in every prayer-Brahmā and the rest are all born from Thee. Thou art one with the four objects of life, and from Thee they come to fruit. From Thee this whole universe proceeds, and in Thee, asylum, of the world, all is, whether visible or invisible, gross or subtle in its nature: what is, Thou art in Śakti form and except Thee nothing has ever been. ‘The Śakti of Śiva being identified with Śaktimān, the Deity, is-declared to be not only superior to Her Lord, but the Cause of Him. Of the two objects (Śiva and Śakti) which are eternal, the greater is the Śakti.’ Again Śakti gives strength to Śiva; without Her he could not stir a straw. She is therefore the Cause of Śiva. (Śaṅkara Vijaya). Although the Purāṇas do, to a certain extent, authorize the adoration of Śakti, yet the principal rites and incantations are derived from a different source. Of the Purāṇas, those which in particular inculcate the worship of the female principle, are the Brahma Vaivarta, the Skanda, and the Kālikā. But neither in them, nor in any other Purāṇam, do we find the Bija or radical mantras which the Śaktis receive from their spiritual guides. These, as well. s